In this issue of the Bean Zine:
1. MOVIE REVIEWS
- Prince (Sight and Sound, December 8, 1991)
-Troubles (The Guardian, May 2, 1988)
- Troubles (Times Literary Supplement, May 6, 1988)
2. NEWSPAPER AND MAGAZINE ARTICLES
- Northern Exposure (The Times Magazine, May 10, 1997)
- Rogue Male (Time Out May 26-June 2, 1993)
- Sean to be Wild (Evening Standard Magazine, February 16, 1996)
- Sean Meets his Waterloo (Radio Times 3-9 May, 1997)
- Dashing Blade (The Independent Tabloid, May 22, 1997)
1. MOVIE REVIEWS
PRINCE
- now online under Prince Press Archive
TROUBLES
by Nancy Banks-Smith)
The Guardian
May 2, 1988
Troubles (LWT) is an absolutely glorious looker! Sleepy and golden
as a labrador
drowsing in sunshine. That is the beginning. There is, as someone
said, a holy
row coming. The major (Ian Charleson) arrives at a huge hotel
in Ireland just
after the First World War to meet the girl he became casually
engaged to at Le
Grand in Brighton. The Majestic in Wicklow is another matter.
It seemed to be
under an unhappy enchantment. It is cavernous and magnificent
with only the
skitter of silent servants. Beyond a window people are playing
tennis like
bright ghosts. He rings a gong as though to wake the dead. In
a consdrvatory
where fluted glass lamps hang like orchids in a jungle, his fiancee
is taking
tea. She too is remote and strange and her heavy eyelids are like
white kid
gloves.
It is all lovely and deadly, or, perhaps, like his fiancee dying.
Troubles feels very like The Jewel in the Crown, partly because
Christopher
Morahan, who directs Troubles, produced the Jewel, and partly
because this too
is an outpost of empire. Charles Sturridge's screen play, based
on J.G.
Farrell's novel, is full of echoes and resonances like the Majestic,
which is
itself a metaphor.
By one of those strokes of great good luck which feel like disaster
at the time,
there were union problems and Troubles was first scrapped then
made in Ireland.
The look of the thing, the radiant dilapidation, is the life of
the thing.
An evidently magnificent performance from Ian Richardson as the
head of the
household, who economises by feeding his piglets, honeyed with
sunlight, on
stale lemon sponge and Battenburg cake. And a privileged peck
at the worst wig
in the world on James Ellis. Troubles ends next week if troubles
can be said to
end.
GRACEFULLY DECLINING
by Zachary Leader
Times Literary Supplement
May 6, 1988
Charles Sturridge's two-part adaptation of J.G. Farrell's novel
Troubles (1970),
is in several respects an improvement on the original. The novel
is set in 1919,
in a huge decaying hotel on the Wicklow coast. This hotel, the
Majestic, is a
symbol of the doomed splendour and folly of British rule in Ireland,
and the
focus throughout is on its flawed and fading inhabitants, rather
than on the
forces of independence. It is, in other words, a fin-de-siecle
costume drama -
familiar territory not only to Sturridge, who made Brideshead
Revisited. but to
Christopher Morahan, the film's director, whose other credits
for television
include The Jewel in the Crown. Yet the adaptation rings subtle
changes on the
generic formula, in its handling of the tricky and often ponderous
business of
introductory exposition or scene-setting. In place of voice-over,
for example,
the characters speak directly to camera, a welcome surprise in
a film which is
otherwise conventionally naturalistic. Lengthy passages of family
and personal
history are deftly condensed and interspersed through the first
half-hour, so
that the forward movement of the plot is unimpeded. The novel's
"documentary"
material - the narrative is tricked out with clippings about "troubles"
all over
the world - is variously distributed to the deaf and myopic old
ladies who are
the hotel's principal residents, and who spend their days reading
out bits from
the newspaper to each other. Both characters and settings are
swiftly,
economically delineated: the Majestic's decay is clear as soon
as the central
character, Major Archer, walks through its doors. When he sits
down in its
unattended foyer, he does so to a delicately understated puff
of dust. Farrell's
rather heavy-handed symbolism (at one point the Major dreams he's
in a leaky
rowboat with only a tin cup for bailing, at another he hears as
Chekhovian twang
or "crack", as if "something had snapped")
is somehow less obtrusive on film
than on the page; secondary plot points are often only obliquely
registered,
thus heightening the air of mystery and menace; the protracted
and repetitious
account of the hotel's symbolic decline is necessarily - profitably
- condensed.
Morahan's direction is comparably artful and inventive, as much
in the staging
of action sequences - assaults, chases, explosions, accidents
- as in more
intimate scenes of dialogue. Though the film is never less than
beautiful (as
well it might be with a budget of ú 3.6 million), the sumptuous
settings and
period detail remain firmly in the background, and there is a
minimum of lyrical
beach strolling and moody cliff-top musing. When the Major wakes
from a
nightmare, he does so without bolting straight up into camera
(a first, in my
experience). The climactic ball in Part Two (to be shown on Sunday),
is
perfectly paced, full of incident, and yet not too choppily edited
to preclude a
sense of gathering languor or duration as well as degeneration.
No one in the
uniformly excellent cast - even Ian Richardson who is splendid
as the magnetic
Edward Spencer, the eccentric loyalist who owns the hotel, and
to whose doomed
daughter the Major is notionally engaged - is allowed to dominate
or disrupt the
prevailing ensemble feel. As a consequence, the artfulness of
Ian Charleson's
performance as the Major - an appropriately subdued performance,
full of
delicate winces and weary self-checkings - is free to shine through.
The flaws of the film are those of the novel. As the violence
in Ireland
escalates, Auxiliaries are temporarily lodged at the Majestic.
In the film as in
the novel they are depicted as ferociously brutish and arrogant.
Though other
characters in the film are types, none is so starkly caricatured.
There's also a
problem with the love theme. After the death of Edward's daughter,
the Major
eventually falls for her friend Sarah (Emer Gillespie), a local
Irish Catholic
girl. Sarah is clever and prickly, a thoroughgoing, even sadistic,
tease. Though
she hates the English she is drawn both to Edward - among other
things, an old-
fashioned Anglo-Irish bigot - and to Captain Bolton (Sean Bean),
the steeliest
of the Auxiliaries. However, the failed love between Sarah and
the Major has no
clear thematic connection to the inevitable fall of the Anglo-Irish
Ascendancy.
As a consequence, the symbolic significance of the statue of Venus
with which
the film opens and closes, and which appears at other moments
throughout both
film and novel, seems unconnected to the larger political theme
- except in the
rather easy and general sense that lost love is like lost power,
that all things
fade.
2. NEWSPAPER AND MAGAZINE ARTICLES
NORTHERN EXPOSURE
by Rachel Campbell-Johnston
The Times Magazine
May 10, 1997
This article is on The Compleat
here:
http://www.compleatseanbean.com/mainfeatures-49.html
ROGUE MALE
by Elaine Paterson
Time Out
May 26-June 2, 1993
This article is on The Compleat
here:
http://www.compleatseanbean.com/mainfeatures-158.html
SEAN TO BE WILD
by Neil Norman
Evening Standard Magazine
February 16, 1996
This article is on The Compleat
here:
http://www.compleatseanbean.com/mainfeatures-159.html
SEAN MEETS HIS WATERLOO
by Kate Lock
Radio Times
3-9 May, 1997
Sharpe's back - and this time he's headed for a showdown with
Napoleon at
Waterloo. Kate Lock took Sean Bean, an ardent fan of that era,
on a pilgrimage
to the Belgian battlesite.
"Unique on the actual battlefield!" exclaims the brochure
for Waterloo's Hotel
Le l815, which nestles just below the ridge where Wellington's
front line once
amassed and triumphed over Napoleon's mighty army. In a single
day - Sunday 18
June 1815 - the umdulating farmland outside our windows became
Waterloo's
killing fields: 40,000 men and horses were slaughtered in a battle
that was a
turning point for Europe. "They are still digging up the
bones," says the
barman.
I have come here to accompany Sean Bean on a special pilgrimage,
a chance for
him to pay homage to the soldiers who gave their lives for king
and country in a
battle that he re-enacts in Sharpe's Waterloo, the third and final
Sharpe film
in a new run of ITV's action-adventure series that begins on Wednesday
with
Sharpe's Revenge. "I've always wanted to come here, ever
since I started doing
Sharpe and got interested in the Napoleonic Wars, so it seems
fitting, now I've
finished, that I should experience the place for myself."
In the flesh, "TV's
hottest sex symbol" - as the Sheffield-born actor is frequently
dubbed - is a
shy man who speaks hesitantly and rarely gives interviews. He
has stayed out of
the spot-light since his much publicised split with his wife,
Bread actress
Melanie Hill, so it said a lot, for his personal interest in the
period that he
was prepared to do the trip exclusively for Radio Times - and
also bring along
girlfriend Abigail Cruttenden, who plays Sharpe's (now estranged)
wife, Jane
Gibbons.
The night before our tour it rains heavily, as it did on the night
before the
actual battle. Unlike the soldiers, who had to sit it out in their
water-logged
greatcoats, we sleep soundly in our rooms, which are all named
after Waterloo's
main players. I am in "Cambronne", dedicated to a member
of Napoleon's Imperial
Guard famous for shouting a defiant "Merde!" at his
Prussian attackers; Sean and
Abigail are put in "Wellington".
Events the following morning certainly require something of the
Waterloo spirit.
Descending for breakfast we find the hotel deserted. With no signs
of any petit
dejeuner, we are reduced to foraging in the kitchen. (I'm afraid
our stars get
short shrift when they ring for room service.) Jacquetta, the
make-up girl,
commandeers the coffee machine behind the bar and plugs in an
egg-boiling
contraption, all of which goes well until there is a power cut.
After these
meagre rations we don waterproofs to do battle with the elements,
Sharpe's
military adviser, Richard Rutherford-Moore, approving Bean's suggestion
that he
take some hard-boiled eggs with him; Wellington, apparently, never
went into
battle without a couple wrapped in his handkerchief....
Our first stop is Hougoumont, the farm that was so crucial to
the Anglo-Dutch
army's victory. Richard Rutherford-Moore, who is conducting our
tour, points out
loopholes in the walls where guards knocked out bricks to fire
their muskets
through. The farm was attacked all day but the British held firm,
even when a
large body of French soldiers entered the courtyard through the
main gates. A
lieutenant colonel named Macdonnell and his sergeant managed to
close and bar
them again, trapping the men inside. They were slaughtered without
mercy, all
except for a drummer boy. Wellington is reported to have said
afterwards that
the success of the battle depended on the closing of the gates
at Hougoumont.
Although much of the action in Sharpe's Waterloo is set at the
other famous
farm, La Haye Sainte, some of the events are taken from Hougoumont.
Entering the
courtyard through those gates is a chilling experience and Bean,
who filmed his
version of events on location in Turkey, is subdued. "It's
a bit spooky," he
says, "especially after we've set up these fights and you
see the men falling
into fires, and there's the smoke and the noise and the horses,
and then you see
it so still and quiet, the real thing. It's eerie . . .
"I just can't imagine how people could function under those
conditions, the
sheer horror of the battle. They had no food, they were wet, cold,
miserable and
frightened. Any second you could have had your head blown off
and your friends
were dying all around you. But they still held that place and
it's still
standing today."
He is clearly moved and stands looking out across the walled garden
to the
ploughed field beyond, now the site of an unmarked mass grave.
"Where we were
standing there were 4,000 Frenchmen buried, yet you look at the
soil and it's
hard to conceive what has happened here. I'm really pleased I've
come . . . I
think it's important that people remember this, that thousands
of people died
for a reason. It would be tragic if that were forgotten."
Playing rough diamond Richard Sharpe has been a Boy's Own dream
come true for
Bean, 36, who does his own stunts, rides, shoots and fences like
a veteran.
"Sharpe's always been the character I've loved playing more
than any other and
I've got a lot of good feelings for him. I'll be sad to let him
go. It's been a
big part of my life over the past five years, hangmg around on
battlefields. I'm
going to miss it."
Fortunately there is still the possibility of a feature film,
Sharpe's Tiger,
and he remains friends with the actors playing the Chosen Men,
a handful of whom
are reunited in the final film. Filming in Turkey with 1,000 extras
was "quite
an adrenalin rush. The cavalry comes charging at you and you can
hear the
thunder of hooves and feel the ground shaking. They're supposed
to stop and they
did, but on each take they got a bit closer! You're running through
crowds and
explosions are going off - I know it's not the real thing but
it does give you a
bit of a feeling as to what it must have been like."
The battlefield has changed little since 1815 and it is still
farmed: a quiet
agricultural vista bisected by the busy N5 Brussels to Charleroi
road. Do the
motorists speeding along it realise this is the road up which
Napoleon and his
army advanced? Certainly Bean doesn't, until I point it out, causing
him to
exclaim in surprise, "That's what I was galloping up and
down in Sharpe!"
We turn into the courtyard of La Haye Sainte, also a working farm
and normally
closed to the public. It was here, in the heart of the battle,
that some 350
soldiers defended Wellington's position, holding out until 6pm
when, having run
out of ammunition, they were reduced to hurling rifles at the
enemy. Trapped,
they tried to escape through the house. A gruesome fight with
bayonets ensued
and the cobblestones ran red with blood. Only 42 of them made
it back to
Wellington's ridge alive.
"Our set really did look like this," says Bean, "though
it's much more broken
down and gets more and more wrecked as the battle goes on - it
actually caught
fire and the roofs were missing and people were running in and
out stacking up
wood and using wagons to reinforce the gates, just as Richard
described.
"When Richard said, 'Don't forget the privates, the small
people, it wasn't just
the generals,' it was quite emotional. He said they're still here
now, and they
probably are. It's an unbelievable experience."
We file out through the archway in silence, humbled by our encounter
with
history. On returning to the hotel the staff have reappeared and
are apologising
for the morning's domestic catastrophe. As everywhere in Waterloo,
the decor
shows a bias towards Napoleon, something that Bean remarks on
as we leave. "It's
as if Napoleon won the war and Wellington didn't . . . I think
you've got to put
it in perspective that we actuaally stood up against him and that
changed the
course of history - after Waterloo there were 99 years of peace.
I don't want to
sound jingoistic but I do think there's a time when you should
feel proud of
what our country has achieved, and the battle of Waterloo is one
of them."
DASHING BLADE
by Janie Lawrence
The Independent Tabloid
May 22, 1997
Sean Bean is THE bloke's bloke, an accidental heart throb and
one of the few
British actors to make it big in Hollywood. But, most importantly,
he's a
Sheffield United fan. Oh, and he's starring in a new adaptation
of the finest
novel ever written.
Sean Bean reaches for some toast and begins to spread the butter,
his hand
curled bear-like round the knife handle as he does so. As spreading
techniques
go it's probably not one shared by most other members of this
country club in
leafy north London. But then it's clear from the outset that Sean
is your
bloke's bloke, not given to putting on airs and graces; the type
of man happiest
hanging out with the same best mates he's had since school. So
what do his
friends do, I enquire? "I suppose jobs like most other people
do," he replies.
You also gather pretty quickly that he is not the most voluble
of chaps. Such
as? "Oh, bricklayers, welders, carpenters." It's this
crowd he meets up with
whenever he goes to watch his beloved Sheffield United play -
as he has the
previous evening. "It were great," he says in a voice
that has lost none of its
Yorkshire roots.
Despite Hollywood success that has bought him heart throb status
and a house
nudging ú1.5m, he maintains that those friendships haven't
altered. "It's no
big deal to them, which is right. I might buy an extra round at
the end of the
night but I've never gone round saying: 'I'm in this on Wednesday
night at eight
o'clock.' I try not to make too much of a thing of it."
Where other actors disingenuously pretend to dislike talking about
themselves,
or their work, sitting opposite Bean I know this is the real thing
- the
embodiment of the "see all, hear all, say nought philosophy".
Given half a
chance I suspect he'd make a bolt for the door. The motherly owner
of this
Totteridge club has already conspiratorially confided that "he's
very shy, you
know.". Does he agree? "I suppose I am. I'm quite reserved.
I get plenty of
chances to be flamboyant in what I do."
None the less, he smiles a lot and is a nervous heavy smoker and
in manner bears
little relation to the testosterone-fuelled figures he normally
plays onscreen.
Roles that frequently involve him getting his kit off, as in Ken
Russell's TV
version of Lady Chatterley's Lover, where he played Mellors, ditto
the
philanderer in Clarissa and the television series of Sharpe, in
which, if he's
not single-handedly defeating the French, he's breaking down doors
into women's
bedrooms. Has he any idea why Sharpe's exploits seem to have struck
such a chord
with female viewers? More silence and an embarrassed fiddling
of fingers. A
blush swims across his face "Don't ask me, I don't know,
do I? Maybe you know
more about that than I do," he struggles. Possibly, but what
does HE think? His
ears have become quite pink. "I suppose it's the character.
He's a very
forthright, masculine, passionate man and everybody can understand
passion. It's
what makes life exciting."
Now, to add to this list of passion-charged roles, he is swapping
uniforms to
play Count Vronsky in the new screen adaptation of Tolstoy's Anna
Karenina. The
first Western film to be shot in post-Soviet Russia, it's a lavish
production of
the timeless love story between the Count (Bean) and the married,
Anna Karenina
(Sophie Marceau) and was filmed entirely in St. Petersburg. "It's
a great book
and it's great to he able to play a part in a classic like that.
You don't get
them coming along very often. It's on a par with playing a Shakespeare
character."
He says he most relished the scenes where the couple, largely
ostracised by
Russian society, begin to destroy each other. "What was interesting
for me was
that initial flame of passion before they both get disillusioned.
They want that
fire to remain constant all the time but he tires of her need
for attention and
to be loved.
"Some people have said it's too heavy for them but I've said,
'You go and watch
it and I bet you can identify with some of these situations.'
Some of the
dialogue I had with Sophie was so bang on, so true to life."
If it's true for him in a personal capacity he won't say. In the
throes of
divorce proceedings with his second wife, actress Melanie Hill
(Aveline in
Bread), he now lives with Abigail Cruttenden, his screen wife
in Sharpe.
"Divorce isn't a very pleasant experience but there's a lot
of things to look
forward to. Abigail and me have been together six or seven months
and we're very
happy together."
We return to the prevailing theme of passion. Naturally I'm asking
purely in the
public interest but would he describe himself as passionate? "I
don't think that
passion ever leaves you, no matter how old you are. It shouldn't
do, should it?
You can't form a relationship on things you've got in common like,
'I like
Coronation Street although you've got to have those things as
well."
In fact he is rather partial to Coronation Street, preferably
accompanied by a
Chinese take-away. "I don't have any urges to go round the
West End and visit
fashionable places because I'm not really all that bothered about
that sort of
thing."
In many ways, he says, he is surprised by the success he has had.
By his own
admission he wasn't much cop at school. "There were always
other things I wanted
to be doing - running round playing football, things like that.
I suppose I was
a bit of a nuisance. Or so I've been told by some of the teachers
who used to
teach me."
He worked as a welder for his dad's company until he decided he
wanted to go to
Rada - that being the only drama school he'd ever heard of. "I
think he would
have liked me to carry on in the business but he realised that
I did feel very
strongly about taking up a career in acting and going down to
London."
Arriving at Rada at the same time as Janet McTeer and James Wilby
was, he says
now, something of a shock. "I just wanted to go back home.
It took me about
three months to adjust to living in London."
Now he is one of the few British actors - with leading appearances
in Patriot
Games and GoldenEye - to have managed the transition from British
star to
sought-after property in LA. "It's very difficult to break
into that Hollywood
thing unless you're prepared to adapt to their way of thinking.
There's not that
many parts written for English actors in America, so you tend
to find the parts
you're usually offered are the baddies or the sadists because
we do that well
and we fit into that slot."
After a recent three-week stint in Hollywood pressing the flesh,
he's currently
looking over several scripts. Not that these seem to be uppermost
in his mind -
that's a position currently occupied by Sheffield United's chances
of making it
into the Premier League. I ask him if I could see the tattoo that
signals his
devotion to the club and, obligingly, he pulls down the sleeve
of his jacket to
reveal his left bicep and "100% Blade" before he politely
but characteristically
makes his excuses. "I've go to get 'ome for me dinner now."
Subject: Zine 9 - Extra - Bravo Two Zero
BRAVO TWO ZERO AT SHOWDATA
Picture and story at:
http://www.showdata.org.za/news/nws-arc33.htm
Showdata news archive
August 14/97
Main News Page
Bravo Two-Zero
Sean Bean Stars in New SA Produced Film
Filming commenced on the 12th of August in Uppington on an international
feature film 'Bravo Two-Zero' produced by Anant Singh of Videovision
Entertainment. Directed by British director Tom Clegg (Sharpe),
the picture is
written by Andy McNabb, based on his best-selling book. The stellar
cast of
South African talent includes Jamie Bartlett, Robert Hobbs and
Robert
Whitehead.
'Bravo Two-Zero' is the true story of the disastrous, but heroic
SAS mission
deep behind Iraqi lines during the Gulf War. It is a mission commanded
by Sgt.
Andy McNab (Sean Bean of Golden Eye) to destroy the fibre optic
cable carrying
targeting information from Baghdad to Saddam Hussein's Scud missile
launchers.
"It has been almost five years since I first read Andy McNab's
book," says
Singh, "and I immediately wanted to make the picture. We
have since been trying
to put it into production. Looking at options to shoot in Israel,
Morocco and
then, after democracy, we tried to do it here last year but we
just ran our of
time and weather. The film tells the story of the desperate struggle
for
survival. McNab was one of the five men who survived the operation,
but three of
his SAS comrades were killed. I believe this is a story that needs
to be told."
"I am delighted that the film is going to be made and that
it is going to be
truthfull to the book," says McNab, who is also acting as
the film's military
advisor providing proper weapons and mind-set training to the
actors who play
the soldiers of the eight-man mission. "I am looking forward
to working with
Sean Bean, I have been training with him already and know that
he is perfect for
the role." says McNab.
Filming continues on location for four weeks in and around the
desert near
Uppington, for three weeks in Johannesburg; and for a week in
London's
Twickenham Studios in early October. 'Bravo Two-Zero' is executive
produced by
David M. Thompson and Ruth Caleb for the BBC, and co-produced
by Helena Spring.
The picture will be released in South Africa by United International
Pictures
(UIP) for Videovision Entertainment.
Subject: Zine 9 - Extra - Sean on Simon Mayo's Radio Program -
Transcript
This is from Heather in the UK, who very generously did the transcription.
SIMON MAYO'S SHOW THURSDAY 24 JULY 1997
Simon Hello Sean Bean
Sean Um Hello
Simon Sorry I waited until you were drinking your coffee just
to make it
embarrassing. How are you?
Sean I'm fine thanks.
Simon Do you want to move that a bit slightly closer to you?
Sean The mike?
Simon Yeah, the microphone thing, that would be very nice.
Thanks very much indeed for coming, sorry about the chaos that's
here, but
what's basically happening is about a 1000 people all trying to
wire us up for
the Internet Party which is tommorrow and if this was tommorrow's
programme this
interview would be in vision around the world.
Sean Yeah that's for sure
Simon For the six people who have actually got it - but we get
makup and all
that sort of thing. Now, the latest stuff that I've seen about
you in the
papers, that we can talk about, is the SAS thing, an SAS movie
that you are
involved in.
Sean Thats right, Bravo Two Zero
Simon The Andy McNab thing
Sean The Andy McNab story
Simon Now are you Andy McNab?
Sean Yeah
Simon So tell you about that. Is that a TV movie or is it a Hollywood
thing or
what?
Sean It's a - hopefully it'll, it'll - it will be a movie. At
the moment its
being shown by the BBC I think, not this Christmas the Christmas
after so its a
sort of special. But I hope there's a possibility of it being
made as a movie
and being shown as a movie maybe in other parts of the world but
its a really
good story, its um. A good friend of mine passed me the book about
two or three
years ago when it first came out and I just thought it were great
reading and a
great character and true story. And um, you know, I just though
if ever this
gets the green light to be made then I want to be uh.....
Simon You would like to be the person doing it.
Sean The person playing this part yeah.
Simon And of course its fighting but in the 20th century rather
than
fighting and in another century.
Sean Yeah. 400 years later.
Simon So is there something about you and a gun that people who
commission these
things think, who'd look good shooting weapons - let's get Sean
in?
Sean I suppose Ive had quite a lot of experience - the sorts of
parts Ive
played have been - I suppose quite a lot of military sort of characters
and I
suppose its much different from Sharpe in that its much later,
but its got
similar qualities, its not, I think Sharpe was a very heroic sort
of part which
is the opposite to Bravo Two Zero 'cos it were men who had a job
to do and
there's nothing sort of "gun-ho" about it.
Simon Sharpe also struck me as an ideal role for somebody to have
because it
was, you were a hero but like a people's hero.
Sean Yeah. somebody who'd made something of himself, who climbed
up through
the ranks.
Simon And you still shot members of your own side if they were
just horrible
toffs like that bloke in the last episode.
Sean Yeah. Yeah
Simon He was very irritating, I wish you'd frankly shot him about
an hour before
because he was driving me mad.
Both Laugh.
Simon One of the questions that someone sent in is that - this
is Martin Allsop
in Glocestershire. Are there any plans to do a prequel to Sharpe?
I thought Sharpe had finished now?
Sean It has yeah. The um, series has finished, I mean, there is,
there has
been talk of doing a feature film of Sharpe going back to the
beginning uh,
which is probably about 15 years younger than I am now, which
could be
difficult.
Simon Would you like to do that?
Sean I'd like to do it yeah. It just depends on, ya know, I mean
like most
things ya know, until ya get the go ahead, ya know, ya can't really
count on it,
but it would be nice to go back in time and start again, shave
me sideboards
off.
Simon Now, I was just wondering if there was like in Sharpe, moving
it on,
coming back from the wars and maybe going into politics or something.
Sean Maybe there is but that's probably all they could do really
because there
were no more wars after that for about a 100 years or so.
Simon Slightly inconvenient really, I'm sure they could find some
minor
excursion to send you off on.
Sean Yeah
Simon So that's it as far as Sharpe's concerned but there may
be......
Sean Well maybe, well I would hope because its such a great character
and ya
know, it was very popular and I would hope that there's still
life in it yet and
maybe might be able to get it together in some sort of.......
Simon Is Sharpe the favourite character of all the one's you've
played, I mean
you were that great baddy in James Bond - in the last Bond film.
Sean That were great to do. I mean, I enjoy all...........
Simon You were in Patriot Games, I mean, are baddies slightly
more - you were a
horrible person in Patriot Games.
Sean I was yeah.
Simon Do you enjoy those roles? It is often said that playing
horrible people
is actually more fun than playing heroes.
Sean I think that there's a lot to be said for that yeah - cos,
I mean, you're
doing something you can't really do in real life and you're getting
away with it
really and getting paid for it and you're told to enjoy it, um,
which is
something you can't really do, but they do seem to have quite
a lasting
impression, the villains, and they really are good fun to do,
they're very
interesting.......
Simon If you had to choose a favourite character - of the one's
that you've
played?
Sean I suppose Sharpe would be my favourite character because
over the years,
its been 5 years, year after year, playing him and getting to
know him and stuff
like that, but, ya know, the Patriot Games character is .....
and Golden Eye
that was great to do just because of being involved with a Bond
film, ya know
and just the whole thing around that.
Simon Absolutely. that was a great scar that you had as well,
it was most
impressive I thought.
Sean Yeah
Simon "God of the Week" is Sean Bean and before the
end of the show - Cough,
cough - I'm going to die - etc etc... Sean has to do "God
of the Week"
questions, some more of your questions plus, if it's alright,
Sean, you have to
choose your favourite contestant from the week who is going to
come forward into
the studio for the Friday final and I hope you're not gonna be
misled or led
astray at all by the fact that our contestant today has got blades
all over her
chest. You won't be misled by that will you?
Sean Is she coming in?
Simon She'll be coming in tomorrow - so Sean Bean will be "God
of the Week" and
he'll be coming in tomorrow as well.
Both Laugh
Simon With that enticement firmly in his mind "God of the
Week" Sean Bean
and more in just a second.
MUSIC
Simon Oh my word it's finished. I was just educating Sean as to
the delights of
the Internet. No we don't want that one we want this one. Sean
Bean
is "God of the Week" and your "God of the Week
" questions coming up in a
second. First of all, someone who appears to be called McNick
in Wakefield says
will you sing the "greasy chip butty song" on Radio
1, as sung by Sheffield
United fans. What is that song? I haven't heard that one.
Sean Um, what is it? Its a song.
Simon How do the words go - are they broadcastable?
Sean I'm trying to think.
(Note from Heather - tried to get all the words but it was a little
difficult,
think I managed it though) (note from Nona - it's to the tune
of "Annie's Song"
by John Denver)
Sean sings You fill up my senses
Like a gallon of maggot (or magnet)
Like a packet of woodbine
Like a good pinch of snuff
Like a night out in Sheffield
Like a greasy chip butty
Like Sheffield United
Come thrill me again
Na, Na, Na Na ooh.
Sean So there you are.
Simon Na Na Na wooh - bit at the end it seems important.
Sean Oh its a good bit that you've got to 'ave that bit on the
end.
Simon That's about one of the only club songs that's actually
broadcastable.
Sean Yeah, while I was singing I was tryin to think like, were
there anything
in it.
Simon There's a great Spurs song which goes "my old man said
be an Arsenal fan
and I said" and that's it, I can't actually say any more
- is there a Sheffield
version of that. "My old man said be a Wednesday fan, I said
go away you're not
a nice person".
Sean Yeah. I think there is yeah.
Simon I think that's basically what it was.
Tony Mark on the M1 in Northampton says "What was it like
to snog Melanie
Griffiths". Base question.
Sean Laugh, It was a long time ago actually, uh.....
Simon But does it not hang around in the memory?
Sean Yeah I suppose so yeah
Simon Was she a goer?
Sean Uh, what d'ya mean?
Simon I have no idea. Sorry Tony that's all the answer you're
gonna get. And
Jonathon in Sheffield has another Sheffield United question. What
do you think
of Sheffield United signing Brian Deane again?
Sean I'm really pleased about that acually, if that's the case,
I don't know if
it's definite yet, but um, it'd be nice to have him back cos he
was great for
us, he played some time for us and got us promotion and stuff
and he's a really
good striker, could always knock the ball in......
Simon Are you a season ticket holder.
Sean Am I? Yeah
Simon How often do you get to go, cos I would think your movie
requirements take
you away, just a little bit.
Sean Yeah, they usually start around the beginning of the season
as well and
I'm usually off work when the cricket's on and as soon as the
football's started
I get a job. But around Christmas and times like that and usually
at the very
end of the season, which is usually quite exciting.
Simon Good season for Sheffield United coming up?
Sean I hope so, I mean, it was a good season last year when you
think about it.
I mean, we got through to the final of the playoffs, ya know,
and that sort of
ended a bit tragically. Laughs.
Simon The way playoffs do.
Sean Yeah in the last few seconds, but hopefully this season especially
if we
get - keep all these players like Alan Kelly and Gorley and the
team we've got
and get Brian Deane back on board then we've got a good chance.
They've got a
lot of good teams coming down ya see, with a lot of money so it's
gonna be
tough.
Simon "God of the Week" question to Sean Bean. First
of all Sean you're on
your cloud. You can have anyone's company that you like, alive
or dead, you can
have as many people as you like on your cloud, who would you have?
Sean Um. I can't really think.
Simon Not Melanie Griffiths obviously if you.......
Sean Can I come back to that one.
Simon Yeah, you can come back to that.
Would you like to make anyone a Saint? Make anyone you like a
Saint?
Sean I can't really think of that one either.
Simon OK. You can send a thunderbolt on anybody?
Sean Yeah, I thought about this one and that'd probably be Rowan
Atkinson for
creating Mr Bean.
Simon Oh, of course.
Sean Because.....
Simon Have you suffered somewhat?
Sean I suppose I 'ave indirectly, yeah. When I pick up the phone
to make a
phone call, I say it's Mr Bean, y'know, people just start laughing
at the other
end, y'know, and I try and get round it, but there's no way you
can get round it
really cos I am Mr Bean.
Simon And there's a Mr Bean movie which is opening up next week.
Sean Well that's it yeah. I keep seeing these pictures of Bean
everywhere,
y'know and everytime I see um I think - bastard.
ALL Laugh
Simon It's only fair enough. I can understand that it would be
slightly
irritating cos its gonna get bigger and more difficult.
You can perform any miracle you like as long as its not heal the
world......
Sean I suppose that'd have to be Sheffield United getting promotion
this season
and managing to stay there in the Premier League.
Simon That's pushing it a bit. That's a fine answer. Do you want
to come back
to the cloud and the Saint?
Sean I'll come back to that yeah. Please.
Simon OK. Alright. We'll play another record. We'll do those questions
and
then you'll have to decide whose going to come into the studio
and may be
knocking off to Ibiza.
MUSIC
Simon OK Sean. This is someone's summer hanging on a thread. Now
you're gonna
decide who's going forward to the big Friday final and put on
those headphones
there and we will go through the contestants Monday to Thursday
and the person
who appeals to you the most, I'll hand you a piece of paper you
circle your
favourite. OK
Sean Alright.
THEY GO THROUGH THE CONTESTANTS MONDAY AND TUESDAY SAYING HELLO.
WEDNESDAY - TWO GIRLS FROM SWANSEA CHEERING HELLO.
Sean Are they all in pubs
Simon Post Office Counters they are.
Thursday, today, was Julia Hargreaves from Moor Lane Construction
in York, and
where did you say you had "blades" tattoed?
Julia On my arm
Simon On your arm? OK you just stay there please.
Sean Bean "God of the Week" there's the list, circle
the person who you
think should be coming into the studio for the Friday final, based
on that
admittedly inconclusive piece of research we have just done.
Sean Bean is considering his verdict. There are 4 eager people,
this is the last
ever "knocking off", this is the last Friday final,
it is going to be the
swimwear edition on tomorrow's programme. That's one of the conditions
you have
to be in your swimwear. He's gone for that, what do you think,
good choice.
Technician Fine choice
Simon Fine, I think
Technician The one I would have chosen myself
Simon I would have chosen as well. I certainly would have chosen
- Julia
Hargreaves, Moor Lane Construction.
WHOOPS FROM JULIA
Sean Good decision
Simon Yeah
Julia Oh thank you
Simon Well thank Sean Bean
Julia Thank you Sean, thank you
Sean You're all right luv. Laugh
Julia Oh I can't believe it, thank you
Simon And Sean's quite interested - where's the tattoo on your
arm you say?
Julia Where about's on my arm?
Simon Yeah
Julia It's just on the top, just below the top of my shoulder
Sean What is it in - biro?
[note from Nona to non-Brits - a biro is a ballpoint pen]
Julia Yeah, it is now. I'm gonna get it done this afternoon.
Simon Julia you know you've gotta come down and be in the studio
tomorrow and
it's the swimwear edition cos it's in vision across the world
on the Internet.
Julia Yes. There's a lot of preparation work that needs to be
done this
afternoon I can tell you.
Simon All right well see you tomorrow.
Julia OK look forward to it
Simon Cheers Julia
Julia Bye
Simon Cheers bye bye and Sean thank you very much indeed for coming
in.
Sean Thank you
Simon Duty nobly done and we look forward to seeing Bravo Two
Zero.
Sean Thank you very much
Simon Sean Bean - "God of the Week"