Interview with Sean Bean
Interview: Sean Bean
Posted: Tuesday July 19th, 2005 12:42AM
Author: Paul Fischer
Location: New York, NY
Before enrolling in the Royal Academy of Dramatic Art, Sean Bean was going
to enter his father's Sheffield steel fabrication business as a welder. He
changed his mind after he garnered praise for acting in a few roles in local
theater while taking an art class at Rotherham College. Bean received a
scholarship to the prestigious academy and graduated a few years later
with the Silver Medal for his performance in Waiting for Godot. Shortly
thereafter, Bean performed in several West End productions. He also
appeared in Romeo and Juliet with the Glasgow Citizens Theatre and
with the Royal Shakespeare Company at Stratford-upon-Avon. In the
first he played Tybalt and in the second he played Romeo. Following
more stage experience, Bean made his feature film debut in 1986 in
Derek Jarman's Carvaggio. Two years later, after returning to the stage,
Bean appeared in Mike Figgis' Stormy Monday and in another Jarman effort,
War Requiem. In addition to his film work, Bean also has a thriving
television career that began in the mid-'80s.
Notable television work includes Clarissa (1992) and Sharpe (1993). It
is as a "bad guy" in films such as Patriot Games and Golden Eye that
Bean is best-known in the U.S., though in the 1997 remake of Anna
Karenina, he plays the dashing and romantic Count Vronsky. After
joining Robert De Niro and Jean Reno for some international espionage
in John Frankenheimer's Ronin (1998), taking a psychotic turn in Essex
Boys (2000) and kidnapping the daughter of a respected adolescent
therapist in Don't Say a Word (2001), Bean made his way to New
Zealand for a role in director Peter Jackson's eagerly anticipated Lord
of the Rings trilogy.
Bean will next be seen as a god guy in both the Jodie Foster drama
Flightplan, and Silent Hill, now shooting in Canada. He talked to PAUL FISCHER.
Question: This character is different for you. Is that one of the reasons
you decided to do it?
Sean Bean: Yeah. I thought it was a different look, a different image,
different character. Very different [from Lord of the Rings], interesting.
I just found it very interesting when I first read it. It was a quite complex
read at first because there are so many descriptions about agnates and
clones and stuff like that but it comes up off the page very well into film
I think. I just thought he was a very influential character. He's right in the
middle of this whole complex. It's his complex, his world, his manufacturing
plant for these products and he believes what he's doing is for the good of
humanity. He's a scientist. He pushes the boundaries and he can do that
because he's allowed to go as far as he can. He's also got a Godlike
factor in him, playing God. He's actually creating life.
Question: How does greed factor into it. How much of that is part of the equation.
Sean Bean: I don't think it's so much with him. It's a bonus for him. He
lives well. He has what he wants around him but that's not the main issue.
He thinks he's a pioneer and a brilliant scientist and the respect and prestige
he gets from that, I think, drives him on. And he lives on the complex. He
lives in that building. He's not off on an island or a yacht somewhere. He
actually lives with these people. It's very much a part of his life.
Question: Do you think that the key to playing a villain is to not think that you
are the villain. The character doesn't know he's the villain. You've done that in
a lot of films. There's the thin line that separates the hero from the villain.
Sean Bean: Yeah. I think you've got to do it that way. Otherwise you're lying to
yourself but it is that thin line. It's where he's obviously gone off the rail somewhere.
He's blinded by this science. He's mislead or gone off in the wrong direction but
he can't see that himself. He can only see the good he's bringing to society.
He's talking about things like curing leukemia in children in two years and
opening up a children's ward, saving people's lives. If you stack all that up
against the other stuff, he's quite big.
Question: He believes the end justifies the means.
Sean Bean: Yeah, exactly which most scientists do I suppose. They think,
'well, if that's what it takes to get what we want, we'll do it'.
Question: You have to imagine that he built up to this point. He may not have
been a monster in the beginning.
Sean Bean: That's right. At one point he says. 'it took quite a while. We
had a lot of disappointment, made a lot of mistakes but gradually, we
found out how to create this'.
Question: His feelings for the welfare of these clones seems genuine until it
comes time to harvest them. It's rather like a farmer and his cattle.
Sean Bean: (laughs) Yeah, it really is.
Question: Do you see this all being true one day?
Sean Bean: Possibly, yeah. They've done it with animals. I suppose a human
is a much more complex structure but the format is the same. I'm sure it's
quite possible. There are people researching it, experimenting as we speak.
Question: We were talking about some countries where people are kidnapped
so organs can be harvested.
Sean Bean: Yeah, oh God yeah. In this film they're talking about the military
being involved at one point because, obviously they'd have a lot of interest
in armies of clones.
Question: In terms of villains complexity, how does this guy compare with
your IRA guy in "Patriot Games" or even Macbeth for that matter?
Sean Bean: I think, in "The Patriot Games", it's because of the death of
his brother. Jack Ryan, Harrison Ford, had killed my brother. It was more
of a personal vendetta than a political one. There were politics involved
but it was more personal. He was driven and blinded by that revenge.
With Macbeth I suppose that very difference in the sense that it's ambition,
greed and power. He's got a lot already. He becomes a hero after the first
battle and he's reveling in it and he and Lady Macbeth are a celebrated couple.
Then he wants it more and she wants a bit more and she goads him on and
she loses it and is walking around like a lunatic. Then there's that great
speech at the end where she throws herself off the battlement and he says
'She should have died hereafter. There would have been a time for such a
word'. It's really great.
Question: Do you ever get tired of playing the bad guy and want to do a
zany, romantic comedy?
Sean Bean: Comedy, yeah, romantic stuff, yeah. I've done it in the past.
I did a series called 'Sharpe' where I play the hero and that lot and that
Question: Do you still get mail for 'Sharpe'?
Sean Bean: Yeah I do. There's thinking about doing a one-off right before
Christmas which would be set in India which would be quite good. I'd like that.
Question: We see guys where we say, 'he's got to play the villain. He's looks
evil but you don't look evil.
Sean Bean: I don't know. It's good in a way. You always dread to be typecast.
It's good that people are convinced that you're a good villain. They want you to
do it again and that's a good thing. You've just got to balance it with a bit of
[other roles]. I've got this film recently where I'm playing a normal, regular guy.
Question: Is that as interesting to play?
Sean Bean: Sometimes not quite as interesting. When you're playing the good
guy, you're in every scene just doing ordinary things and when you're the villain
it seems to be contained and condensed, a really short burst of anger of evilness
[laughs]. You can risk things. So I do enjoy it. I don't worry about getting
typecast because I've been playing other roles. They're all different villains
as well, from Macbeth and 'Patriot Games' and this one, all different agendas.
Question: You're shooting 'Silent Hill' right now.
Sean Bean: Right. I'm playing the husband. Radha Mitchell is playing my wife.
We've got a little daughter. I play a concerned husband trying to find my wife and
Question: How similar is that to the game as far as storylines?
Sean Bean: I don't know. I've not played the game. Kids know about it but I've
heard it will live up to the game. The game's supposed to be really isn't it. It
think it will be really good. Christophe Gans, is the director. The guy who did
'Brotherhood of the Wolf'. He's given it a really quirky, bizarre feel, very spooky;
a very European kind of genre film.
Question: What's the basic plot of it?
Sean Bean: It's about this place called 'Silent Hill' and our daughter is quite
disturbed about this place. She keeps mentioning 'Silent Hill, Silent Hill' She's
always trying to get there. She tries to get out of the house, wakes up in the
middle of the night. My wife decides it might be a good idea to take her there.
We're trying to confront her fears. She gets involved with a very murky, dangerous
world, very creepy which is all in different time levels as well. I'm in the real world
and I'm trying to find passages on different planes. It's quite interesting. I can
hear her but I can't see her. The way it's shot is in constant fog. There's always
this fog cobwebbed around the 'Silent Hill' world. The real world's just normal.
Question: So it's more of a horror film?
Sean Bean: Yeah. And I think the game is psychologically demanding because
you have to reach certain levels. It's not just about chopping people up. It's
about using your brain and I think the perfect guy to do it is Christophe Gans.
Question: What are your expectations for 'Flightplan'?
Sean Bean: I think it's going to be good. I've only seen the trailer but I've
heard some good things about it. It moves at a fast pace and it's exciting;
keeps you on the edge of your seat. It's funny because when we were doing it,
we were on this plane all the time. They built the inside of this massive plane.
It was very claustrophobic with the crew in there and it was quite a slow process
so when you see it all put together, it's quite good. It's at Toronto I believe, at
the film festival so I think they're quite happy with it.
Question: What is 'The Dark'?
Sean Bean: That's a film that I did with Maria Bello. That was in the U.K. I did it
last year. I play her husband and we have a daughter... [laughs] and something
happens. I won't tell you what it is because that's quite a sort of disturbing film as
well. It's very ghostly.
Question: A supernatural thriller?
Sean Bean: Yeah.
Question: Do you like that kind of film to do two in a row?
Sean Bean: It wasn't intentional. I did that, then 'Flightplan', then I did 'The Island'
then I did 'Silent Hill'. I suppose it's a different look and take on it but it's quite
funny that I'm playing a concerned husband searching for my daughter twice in a year.
Question: If you were not in this field, what would you be doing?
Sean Bean: I don't know. I wanted to be an artist originally or maybe a concert pianist.
Question: Do you like doing period dramas? Do they transport you?
Sean Bean: I quite like period dramas, yeah.
Question: Does the costuming help?
Sean Bean: Yeah, it does when you see everyone dressed like in 'Troy' or 'Lord of the
Rings', it gives you an extra boost. But it's a pain like in 'Troy' when I had to put
all that stuff on and the hair and beard and all that but it certainly gets you into
that spirit and I'll look for a period job because the dialogue always tends to be
good as well. Like in 'Lord of the Rings' it was sensible and intelligent.
Question: Are you interested in doing an animation voice?
Sean Bean: Yeah, I actually did a thing called 'Pride' which was a BBC things all about
these lions and I did the voice of this lion called Dark. That was as close as I've
got to that sort of thing.
Question: Would you do more of that...voice over work?
Sean Bean: Yeah, anything.
Question: Do you still live in the U.K.
Sean Bean: Yeah I do. I still live over there. Spend a lot of time here.
Question: What in your life would be like the Island is to the clones in this film;
a goal or a place you would want to go?
Sean Bean: I quite like being in Paris. I always find that very relaxing going on the Eurostar
when I was in Paris or maybe an island someplace but then I think I think I get a
bit bored on an island sunbathing and stuff like that. Or my house in London,
whenever I get there.
Question: Have you been asked to do 'National Treasure 2' yet?
Sean Bean: No. I was talking to a couple of people about that. Good story,
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